1 00:00:00,300 --> 00:00:01,300 It's daytime. 2 00:00:01,800 --> 00:00:05,220 Colin sits behind a metal gate, fine-tuning a listening device. 3 00:00:06,540 --> 00:00:08,260 He wears a dark baseball cap. 4 00:00:09,260 --> 00:00:13,780 His eyes fix on a long-haired blonde woman with blue eyes, sitting on a park 5 00:00:13,780 --> 00:00:15,840 bench. It's Tony Napier. 6 00:00:16,180 --> 00:00:18,760 Colin turns away as Nikki approaches Tony. 7 00:00:19,380 --> 00:00:20,940 Tony offers Nikki a coffee. 8 00:00:21,280 --> 00:00:23,000 Nikki takes a seat next to her. 9 00:00:25,220 --> 00:00:26,540 I can't do it anymore. 10 00:00:28,650 --> 00:00:32,530 I'm like pacing in this rental with no place to go. Government accommodations 11 00:00:32,530 --> 00:00:33,530 not to your liking. 12 00:00:33,850 --> 00:00:35,230 No, Nikki, I want to work. 13 00:00:36,170 --> 00:00:39,030 I want to be of service. So who? 14 00:00:39,550 --> 00:00:41,290 You know your loyalty's still in question? 15 00:00:42,430 --> 00:00:46,030 Langley was 50-50. Half of them wanted to see you locked up in some black site 16 00:00:46,030 --> 00:00:46,989 somewhere damp. 17 00:00:46,990 --> 00:00:48,810 The other half wanted you gone. As in gone. 18 00:00:49,150 --> 00:00:50,530 Colin listens, emotional. 19 00:00:50,930 --> 00:00:53,790 Does he know that I'm coming back? 20 00:00:54,290 --> 00:00:56,230 She turns to Nikki, who swallows. 21 00:00:56,970 --> 00:00:57,970 Colin? 22 00:00:59,740 --> 00:01:00,740 No, not yet. 23 00:01:03,880 --> 00:01:04,879 I'll be in touch. 24 00:01:25,930 --> 00:01:29,990 A hand reaches out and grabs a shot from an adjacent tray, dropping a substance 25 00:01:29,990 --> 00:01:31,050 into the amber shot. 26 00:01:31,470 --> 00:01:34,410 Later, a server carries a shot to a dining table of men. 27 00:01:34,690 --> 00:01:38,550 A middle-aged red-haired man grips the shoulder of a younger brunette man. 28 00:01:39,310 --> 00:01:43,810 Subtitle. That's when Pasha started running like a little girl, arms waving. 29 00:01:44,190 --> 00:01:47,630 Yeah, little girl, okay. The building was on fire, I didn't have a choice. 30 00:01:47,910 --> 00:01:51,170 Pasha, it was only the outside, what are you talking about? We've heard this 31 00:01:51,170 --> 00:01:54,610 story a million times, let's drink. And we've been watching your ugly face, yet 32 00:01:54,610 --> 00:01:55,610 we don't complain. 33 00:01:58,220 --> 00:02:00,080 The table of men raised their shots. 34 00:02:00,480 --> 00:02:01,480 Okay, a toast. 35 00:02:01,700 --> 00:02:06,720 To health, to love, to Pasha, thank you, who I have taught everything I know, 36 00:02:06,940 --> 00:02:11,200 even when he did not want to learn, especially when he did not want to 37 00:02:11,200 --> 00:02:12,200 learn. 38 00:02:12,820 --> 00:02:14,720 And to the future of our great country. 39 00:02:15,550 --> 00:02:16,710 To the motherland. 40 00:02:17,450 --> 00:02:18,450 To Russia. 41 00:02:18,650 --> 00:02:19,750 Hooray, hooray, hooray. 42 00:02:20,170 --> 00:02:23,230 Pasha, the brunette man, pats the red-haired man's shoulder. 43 00:02:23,530 --> 00:02:27,590 A brown-bearded man watches closely as the red-haired man drinks the amber 44 00:02:27,590 --> 00:02:28,590 shot. 45 00:02:28,710 --> 00:02:32,170 Later, the red-haired man sits up in bed, clutching his midsection. 46 00:02:32,810 --> 00:02:36,190 His face is clammy, and he staggers as he rises from the bed. 47 00:02:36,990 --> 00:02:38,010 His vision spins. 48 00:02:38,630 --> 00:02:42,710 He slows to a stop, shakes his head, then puts two fingers down his throat. 49 00:02:43,310 --> 00:02:45,070 forcing himself to vomit out of frame. 50 00:02:45,970 --> 00:02:49,490 He shakily descends a wooden staircase with a hardwood banister. 51 00:02:50,750 --> 00:02:55,310 He walks with a pained effort and reaches the ground floor, limping in an 52 00:02:55,310 --> 00:02:58,390 unsteady path beneath an ornate crystal chandelier. 53 00:02:59,010 --> 00:03:01,410 He reaches the front door and grabs the handle. 54 00:03:01,850 --> 00:03:04,150 He opens the door and steps out. 55 00:03:06,670 --> 00:03:08,290 Bill and Colin are at dinner. 56 00:03:08,650 --> 00:03:10,510 I feel like I'm at a Mother's Day brunch. 57 00:03:11,390 --> 00:03:13,950 You know there's a diner right across the street. Yeah, but do they have 58 00:03:13,950 --> 00:03:15,530 bellinis with caviar and creme fraiche? 59 00:03:16,730 --> 00:03:17,730 There's a reason we're here. 60 00:03:18,150 --> 00:03:19,350 There's a reason for everything, Bill. 61 00:03:20,950 --> 00:03:23,050 Nice quiet place, away from prying eyes. 62 00:03:24,210 --> 00:03:25,230 You want to talk about Tony? 63 00:03:27,110 --> 00:03:28,110 Okay. 64 00:03:28,730 --> 00:03:31,950 Believe me, when I say this, the last thing I want to talk about is Tony. 65 00:03:33,590 --> 00:03:34,950 I thought you didn't drink coffee. 66 00:03:35,550 --> 00:03:36,890 I do today, thank you. 67 00:03:40,030 --> 00:03:41,030 Barely slept. 68 00:03:41,550 --> 00:03:43,910 Every time I closed my eyes, I kept seeing my dad's CIA file. 69 00:03:44,970 --> 00:03:47,750 Well, have you tried repression or denial? 70 00:03:48,030 --> 00:03:49,030 Works for me. 71 00:03:50,830 --> 00:03:52,210 I went through all my dad's stuff. 72 00:03:52,710 --> 00:03:54,410 I don't know what I was expecting to find. 73 00:03:55,490 --> 00:03:56,870 Nothing about him being in the agency. 74 00:03:57,250 --> 00:03:58,250 Well, it's not surprising. 75 00:03:58,750 --> 00:04:00,210 Spies aren't big on scrapbooking. 76 00:04:00,530 --> 00:04:02,090 I just don't understand why he didn't tell me. 77 00:04:02,750 --> 00:04:04,130 What, like he thought I couldn't handle the truth? 78 00:04:04,510 --> 00:04:05,510 Oh, jeez, Bill. 79 00:04:05,790 --> 00:04:09,110 There are a thousand and one reasons why people lie. It doesn't always have to be 80 00:04:09,110 --> 00:04:10,110 bad. 81 00:04:10,160 --> 00:04:13,800 I mean, look, I hate to labour the point, but have you told Katie about us? 82 00:04:14,140 --> 00:04:15,760 Me? What you do now? 83 00:04:15,980 --> 00:04:17,880 Bill looks at the table, tight-jawed. 84 00:04:18,959 --> 00:04:20,140 No, didn't think so. 85 00:04:20,399 --> 00:04:24,540 Colin looks around, then sees the red-haired Russian man at the door. The 86 00:04:24,540 --> 00:04:25,540 men lock eyes. 87 00:04:25,580 --> 00:04:26,580 Oh, here we go. 88 00:04:26,660 --> 00:04:30,340 As Colin sees the man, he grips his dinner knife in an underhand position. 89 00:04:30,920 --> 00:04:31,920 What's going on? 90 00:04:32,240 --> 00:04:33,360 I'm about to find out. 91 00:04:34,160 --> 00:04:35,160 Victor? 92 00:04:35,600 --> 00:04:39,660 Colin? I got your signal. What's up? The man, Victor, pulls up a chair. 93 00:04:42,020 --> 00:04:43,440 I need your help. 94 00:04:45,740 --> 00:04:46,740 Right. 95 00:04:47,380 --> 00:04:50,620 Right, Victor, this is Special Agent Bill Goodman. Bill, this is Victor 96 00:04:50,620 --> 00:04:54,080 Molotov, Officer Extraordinaire with Russia's SVR and a long-time 97 00:04:54,080 --> 00:04:56,760 professional and personal adversary of mine. 98 00:04:57,660 --> 00:04:58,660 Come on in, Victor. 99 00:04:59,380 --> 00:05:00,600 What do you need my help with? 100 00:05:03,080 --> 00:05:04,080 I've been murdered. 101 00:05:10,220 --> 00:05:13,300 Reconstructed, shredded documents with photos of New York are on screen. 102 00:05:14,400 --> 00:05:15,900 Title, CIA. 103 00:05:21,140 --> 00:05:22,700 Victor makes a caviar bellini. 104 00:05:23,100 --> 00:05:26,120 Well, I hate to break it to you, Victor, but you seem very much alive to me. 105 00:05:26,920 --> 00:05:29,760 I've been poisoned. He puts the bellini in his mouth and chews. 106 00:05:30,760 --> 00:05:31,760 Ration. 107 00:05:32,860 --> 00:05:34,500 Doctor confirmed it and told me I have. 108 00:05:35,940 --> 00:05:37,940 A lot of hours to live, give or take. 109 00:05:38,160 --> 00:05:39,160 You don't look sick. 110 00:05:39,390 --> 00:05:40,690 He sips coffee and shrugs. 111 00:05:41,650 --> 00:05:42,650 Nausea came last night. 112 00:05:44,170 --> 00:05:45,510 Violent, but it passed. 113 00:05:45,910 --> 00:05:47,070 Mesut, are you going to finish that? 114 00:05:47,590 --> 00:05:51,090 Please. He swaps his empty plate for Colin's plate of egg and toast. 115 00:05:51,710 --> 00:05:53,490 Victor holds out an expectant hand. 116 00:05:53,910 --> 00:05:55,870 Colin reluctantly hands him the butter knife. 117 00:05:56,570 --> 00:05:57,890 Dehydration will come next. 118 00:05:58,350 --> 00:05:59,350 Then hypertension. 119 00:06:00,050 --> 00:06:01,050 And then death. 120 00:06:01,370 --> 00:06:02,990 And there's nothing you can do about it. 121 00:06:04,090 --> 00:06:06,290 So what do you need my help with? Funeral arrangements? 122 00:06:07,500 --> 00:06:08,760 Victor chuckles while chewing. 123 00:06:11,100 --> 00:06:13,260 I need your help finding some men who poisoned me. 124 00:06:14,320 --> 00:06:15,320 Gregory Allen. 125 00:06:15,980 --> 00:06:17,000 He's here in New York City. 126 00:06:18,980 --> 00:06:21,700 Well, I hope you're not asking for a favor without something in return. 127 00:06:22,260 --> 00:06:23,260 Of course not. 128 00:06:23,560 --> 00:06:27,640 Do this for me, and I'll help you stop the operation that got me poisoned. 129 00:06:28,640 --> 00:06:32,020 One that will result in the deaths of countless U.S. assets in Russia. 130 00:06:34,780 --> 00:06:35,780 Explain. 131 00:06:39,409 --> 00:06:43,650 My cohorts at the Kremlin, they become savages. 132 00:06:45,330 --> 00:06:46,570 Violence is all they understand. 133 00:06:46,870 --> 00:06:49,930 So what you're saying is the SVR has become even more ruthless than before? 134 00:06:50,190 --> 00:06:52,250 Because last I checked... Yes, yes, I know. 135 00:06:53,170 --> 00:06:55,310 Used to be, if you were a traitor, you were dealt with. 136 00:06:55,650 --> 00:07:01,330 But now, not only will they kill you, they will kill your family, your 137 00:07:01,330 --> 00:07:02,590 friends, your children. 138 00:07:03,090 --> 00:07:05,270 Even those who are merely suspected are executed. 139 00:07:06,880 --> 00:07:07,880 It's barbaric. 140 00:07:08,320 --> 00:07:10,320 And that's what's going to happen to our assets in Russia? 141 00:07:10,880 --> 00:07:11,880 Yes. 142 00:07:12,420 --> 00:07:13,420 It'll be a slaughter. 143 00:07:14,260 --> 00:07:16,860 How did you find them? Because we haven't heard any chats about it. 144 00:07:17,600 --> 00:07:19,240 I was charged with obtaining their names. 145 00:07:20,160 --> 00:07:22,720 But I refused because I knew what it would lead to. 146 00:07:23,400 --> 00:07:25,120 You refused and so they poisoned you. 147 00:07:25,460 --> 00:07:26,460 Victor nods. 148 00:07:26,760 --> 00:07:27,900 How are you going to find the names? 149 00:07:28,120 --> 00:07:30,320 He lifts a glass of water, then sighs. 150 00:07:31,560 --> 00:07:32,680 We haven't gone that far. 151 00:07:33,880 --> 00:07:35,640 But Gregor, he will know. 152 00:07:36,220 --> 00:07:39,160 Which is why we must find him first, before he can get to it. 153 00:07:40,820 --> 00:07:43,300 Oh, it's very convenient, don't you think, Victor, that the only person 154 00:07:43,300 --> 00:07:44,960 who's got the answers is the person who poisoned you? 155 00:07:45,420 --> 00:07:48,240 You can believe me or not. I died tonight either way. 156 00:07:48,740 --> 00:07:51,260 The question is how many of your people died with me. 157 00:07:51,780 --> 00:07:55,740 Is that your blood? He points to a blood stain on the inner sleeve of Victor's 158 00:07:55,740 --> 00:07:56,740 jacket. 159 00:07:57,400 --> 00:08:00,400 Come, I'll show you. He stands from the table. 160 00:08:00,620 --> 00:08:02,680 The agents follow him with a reluctant look. 161 00:08:03,840 --> 00:08:06,200 Outside... They stand with Victor as he opens a trunk. 162 00:08:06,960 --> 00:08:07,960 Victor, police! 163 00:08:08,260 --> 00:08:09,260 No, wait! 164 00:08:09,680 --> 00:08:11,680 Hey, how's it going? Who is that? 165 00:08:12,000 --> 00:08:13,180 Please, do not worry. 166 00:08:13,420 --> 00:08:15,780 I only need information from him. How's that all? 167 00:08:16,320 --> 00:08:18,180 So he knows where this Gregor person is? 168 00:08:18,940 --> 00:08:22,040 No, he knows the location of a man. Well, it's Gregor's location. 169 00:08:22,520 --> 00:08:24,860 Oh, sounds simple. Yeah, welcome to Russian espionage. 170 00:08:25,660 --> 00:08:27,420 At least we have a place to start the search. 171 00:08:27,980 --> 00:08:29,660 Now open that door, Victor! 172 00:08:30,080 --> 00:08:31,840 Colin grits his teeth at Victor. 173 00:08:32,770 --> 00:08:33,770 Don't move. 174 00:08:34,510 --> 00:08:40,330 He is telling the truth about being poisoned. Anyway, I reached out to our 175 00:08:40,330 --> 00:08:41,370 contact at St. Michael. 176 00:08:41,970 --> 00:08:45,170 Victor Molotov was diagnosed with acute ricin poisoning last night. He won't 177 00:08:45,170 --> 00:08:46,170 make it till tomorrow. 178 00:08:46,630 --> 00:08:50,590 And if he's telling the truth about the SVR operation, our assets in Russia are 179 00:08:50,590 --> 00:08:51,590 in grave danger. 180 00:08:51,790 --> 00:08:53,910 If? You think he's lying? 181 00:08:54,790 --> 00:08:56,810 He's a spy, lying second nature. 182 00:08:57,010 --> 00:08:58,010 Colin? 183 00:08:59,630 --> 00:09:01,170 Does he have an ulterior motive? 184 00:09:02,220 --> 00:09:07,240 Possibly, or probably even, but he can't very well scratch our back until we 185 00:09:07,240 --> 00:09:08,099 scratch his. 186 00:09:08,100 --> 00:09:09,380 Hold on. Let me put you on speaker. 187 00:09:10,200 --> 00:09:13,860 What do you got? All right. Last year, the SVR abducted and killed an MI6 188 00:09:13,860 --> 00:09:17,800 communications officer who had knowledge of British assets inside of Russia. A 189 00:09:17,800 --> 00:09:20,200 couple weeks later, half a dozen of them wound up dead. 190 00:09:20,580 --> 00:09:21,920 Assets and their families. 191 00:09:22,740 --> 00:09:25,740 So you don't have to trust Victor Molotov. You don't even have to like 192 00:09:25,740 --> 00:09:27,180 him. But you do have to do your jobs. 193 00:09:28,320 --> 00:09:29,320 Copy that. 194 00:09:29,960 --> 00:09:30,960 Gina. 195 00:09:31,240 --> 00:09:37,840 uh yeah what else what you have made it very clear that you want to work your 196 00:09:37,840 --> 00:09:42,920 way out of the analyst desk and into the field yes definitely so what happens if 197 00:09:42,920 --> 00:09:48,300 we lose our assets in russia gina paces as she talks i mean we lose sources and 198 00:09:48,300 --> 00:09:52,120 all the time that we spend building trust there we lose our people and 199 00:09:52,120 --> 00:09:56,920 sympathetic locals i mean we're flying blind intelligence wise which is the 200 00:09:56,920 --> 00:09:58,520 same reason that we can't just 201 00:09:59,230 --> 00:10:02,950 go in there and take everyone out of the country because the moment we start 202 00:10:02,950 --> 00:10:08,510 exfilling them the russians are looking for patterns and then they find them all 203 00:10:08,510 --> 00:10:14,250 nikki gives her a tight smile that's very good colin and bill both watch 204 00:10:14,250 --> 00:10:18,810 victor what do you think does it matter we have to work with them yeah nikki was 205 00:10:18,810 --> 00:10:23,230 pretty clear follow the intel see if there's a there there you know those 206 00:10:23,230 --> 00:10:26,690 things will kill you funny all right victor 207 00:10:27,400 --> 00:10:30,560 I need something tangible from you. Something that will hurt you. Otherwise, 208 00:10:30,620 --> 00:10:31,620 we're not moving forward. 209 00:10:33,260 --> 00:10:35,660 Your CIA station in Vienna has been compromised. 210 00:10:36,540 --> 00:10:39,560 We were intercepting its cable traffic through a corrupt hardware supplier. 211 00:10:41,160 --> 00:10:42,160 So? 212 00:10:44,680 --> 00:10:45,840 Shall we go spy hunting? 213 00:10:48,340 --> 00:10:50,280 Time to talk, comrade. 214 00:10:50,860 --> 00:10:51,860 Come on. 215 00:10:53,580 --> 00:10:54,580 Hey! Hey! 216 00:10:54,880 --> 00:10:56,040 You're gonna tie his legs! 217 00:10:57,810 --> 00:10:59,490 FBI! Stop running! 218 00:11:08,010 --> 00:11:14,730 Why are you making me run? 219 00:11:14,850 --> 00:11:16,290 Huh? Wait! 220 00:11:16,730 --> 00:11:19,390 Wait, wait, wait, wait, wait. You have to listen to me. You have to listen to 221 00:11:19,390 --> 00:11:22,010 me. Whatever you think you know about Victor, it's not true. 222 00:11:22,210 --> 00:11:26,570 Oh, is that right? Yes. Don't believe a word that man says, okay? He's lying. 223 00:11:30,370 --> 00:11:34,810 Hey. Hey. A bit off topic, but Felix Vincent, the international assassin... 224 00:11:34,810 --> 00:11:37,470 Yeah, I know who he is, Gina. I tend to remember the ones who murder 225 00:11:37,470 --> 00:11:38,870 intelligence officers and get away. 226 00:11:39,280 --> 00:11:43,340 Right. Look, I know you and the boys want him found, so I took the initiative 227 00:11:43,340 --> 00:11:47,040 and I pulled his vial, you know, trying to look at some previous hits, maybe see 228 00:11:47,040 --> 00:11:52,180 who's hired him, you know, build a net. But his vial is a wall of black. 229 00:11:52,960 --> 00:11:53,960 That's not surprising. 230 00:11:54,700 --> 00:11:56,460 Can I get the unredacted version? 231 00:11:56,740 --> 00:11:57,740 Yeah, it's unlikely. 232 00:11:58,280 --> 00:12:00,180 Someone somewhere wants to spare it deep. 233 00:12:01,060 --> 00:12:03,820 Listen, if I could just get some breadcrumbs and run it against what I 234 00:12:03,820 --> 00:12:04,820 already found. Hey, Gina, some advice. 235 00:12:04,960 --> 00:12:06,560 Felix Vincent is a sinkhole. 236 00:12:07,439 --> 00:12:08,439 Leave it alone. 237 00:12:09,500 --> 00:12:10,500 Understood. 238 00:12:15,040 --> 00:12:18,680 Let me be clear. This is all a setup? Or what? 239 00:12:19,360 --> 00:12:20,360 Kill me. 240 00:12:21,640 --> 00:12:23,780 You heard my man. This will refine Misha. 241 00:12:24,020 --> 00:12:25,560 Oh, your man, the one you stuffed in a trunk? 242 00:12:26,260 --> 00:12:27,420 Better a trunk than a coffin. 243 00:12:31,960 --> 00:12:33,200 Oh, there he is. There he is. 244 00:12:33,920 --> 00:12:36,160 The guy smoking on the phone. 245 00:12:37,329 --> 00:12:39,610 Misha Botvinnik, SVR logistics man. 246 00:12:40,950 --> 00:12:41,950 Gregor's in the city. 247 00:12:42,170 --> 00:12:43,230 Misha will know where he is. 248 00:12:44,150 --> 00:12:46,690 Well, if this guy's SVR, he's going to know you're radioactive. 249 00:12:46,950 --> 00:12:48,130 There's no way he can see your face. 250 00:12:49,230 --> 00:12:51,170 He's not going to see my face. He'll see yours. 251 00:12:52,810 --> 00:12:54,110 Oh, you want a replay, do you? 252 00:12:54,370 --> 00:12:55,570 Victor grins slyly. 253 00:12:57,150 --> 00:12:58,150 Provocation. 254 00:12:58,290 --> 00:12:59,310 Not a chance, mate. 255 00:12:59,590 --> 00:13:00,870 You'll see it coming a mile off. 256 00:13:01,500 --> 00:13:02,580 Helsinki 2017? 257 00:13:03,040 --> 00:13:06,600 Helsinki went sideways because your ass had the bladder the size of a sparrow. 258 00:13:06,720 --> 00:13:07,439 Oh, right. 259 00:13:07,440 --> 00:13:08,440 You got a better idea? 260 00:13:09,880 --> 00:13:12,140 What about Colorado 2, Steph? 261 00:13:14,860 --> 00:13:17,780 That could work. 262 00:13:18,240 --> 00:13:19,240 Yeah? 263 00:13:19,600 --> 00:13:20,600 What? 264 00:13:23,000 --> 00:13:24,000 What? 265 00:13:30,160 --> 00:13:31,880 The boardwalk patio is closed. 266 00:13:32,340 --> 00:13:35,180 He looks both ways before jogging to the front door. 267 00:13:35,960 --> 00:13:40,020 He enters the closed bar, where Misha removes stools from tabletops. 268 00:13:41,300 --> 00:13:42,300 Can I help you? 269 00:13:43,240 --> 00:13:44,240 You can. 270 00:13:45,260 --> 00:13:46,640 FBI, Agent Goodman. 271 00:13:47,020 --> 00:13:48,360 Looking for Gregor Lallin. 272 00:13:50,360 --> 00:13:51,360 SVR? 273 00:13:51,880 --> 00:13:53,660 SVR? His band? 274 00:13:54,000 --> 00:13:56,000 Yeah, I heard it's your favorite Russian band. 275 00:13:56,240 --> 00:13:59,280 He sees Misha hastily put his phone in his pocket. I'm American. 276 00:14:00,160 --> 00:14:01,160 From New York. 277 00:14:01,780 --> 00:14:02,780 Go Knicks. 278 00:14:04,180 --> 00:14:06,520 They both grab the same stool forcefully. 279 00:14:08,140 --> 00:14:09,140 Where is he? 280 00:14:09,940 --> 00:14:11,000 You have the wrong bar. 281 00:14:11,960 --> 00:14:13,860 You want a hurricane and a plastic cup? 282 00:14:14,140 --> 00:14:17,060 I got you. Bill pushes him against a wall with his forearm. 283 00:14:17,600 --> 00:14:18,700 Let me give you one more chance. 284 00:14:19,000 --> 00:14:20,440 They both have phones in their pockets. 285 00:14:20,840 --> 00:14:24,540 I don't know any Gregor. The phones are pressed against one another. 286 00:14:24,800 --> 00:14:26,000 They both light up. 287 00:14:26,860 --> 00:14:29,790 Okay. Bill releases Misha and walks for the door. 288 00:14:31,490 --> 00:14:35,090 Victor and Colin wait by the beach. 289 00:14:35,450 --> 00:14:37,670 Victor stands, looking out to the shore. 290 00:14:38,270 --> 00:14:41,490 Bill emerges from behind a pillar and approaches the two men. 291 00:14:41,910 --> 00:14:45,070 As he arrives, Colin holds his palm up to Bill. 292 00:14:49,970 --> 00:14:51,150 Subtitle Hello. 293 00:14:51,530 --> 00:14:53,630 The Americans were just here. 294 00:14:53,850 --> 00:14:55,310 They had your name. 295 00:14:55,740 --> 00:14:57,600 Not bad for my first Colorado two-step, huh? 296 00:14:59,520 --> 00:15:02,160 They don't know where I am? No. 297 00:15:02,360 --> 00:15:03,360 They're fishing. 298 00:15:04,660 --> 00:15:06,780 Stay where you are. Keep your head down. 299 00:15:07,220 --> 00:15:08,440 Jane had told me that was enough. 300 00:15:09,060 --> 00:15:11,300 Spyware scraped the number the second he dialed it. 301 00:15:11,720 --> 00:15:14,680 Gregor's at a nightclub in Brooklyn sending coordinates now. 302 00:15:15,020 --> 00:15:15,959 Copy that. 303 00:15:15,960 --> 00:15:17,620 Colin stands and walks off. 304 00:15:18,000 --> 00:15:19,000 Later, 305 00:15:19,360 --> 00:15:22,900 the three men enter a club full of young women and older men. 306 00:15:23,800 --> 00:15:28,280 Gold foil curtains line the entryway and red mushroom lamps glow at each table. 307 00:15:28,860 --> 00:15:31,300 Victor sees the bearded man from the night before. 308 00:15:31,720 --> 00:15:32,720 That's Gregor. 309 00:15:33,280 --> 00:15:34,280 All right. 310 00:15:34,660 --> 00:15:36,060 Well, we all know what we're doing, yeah? 311 00:15:36,540 --> 00:15:39,720 Yeah. Don't spend it all at once. He hands them each a few bills. This should 312 00:15:39,720 --> 00:15:40,720 be fun. 313 00:15:41,500 --> 00:15:42,720 Bill, retire. 314 00:15:43,240 --> 00:15:45,240 No. Look at the tax man. 315 00:15:45,500 --> 00:15:47,460 Colin calls out to a woman in a red dress. 316 00:15:47,720 --> 00:15:48,219 Hey, hey. 317 00:15:48,220 --> 00:15:49,220 Excuse me, love. 318 00:15:49,620 --> 00:15:50,620 What's your name again? 319 00:15:50,960 --> 00:15:51,960 Topaz. 320 00:15:52,260 --> 00:15:53,260 Topaz? 321 00:15:54,540 --> 00:15:56,040 Victor bribes the DJ. 322 00:16:00,600 --> 00:16:01,160 He 323 00:16:01,160 --> 00:16:09,500 pulls 324 00:16:09,500 --> 00:16:11,700 her onto the stage and throws bills into the air. 325 00:16:13,980 --> 00:16:16,480 Colin and Victor continue throwing money around. 326 00:16:17,360 --> 00:16:19,920 Rigger and his friends look over from another stage. 327 00:16:20,600 --> 00:16:22,780 They pump their fists in the air and sing along. 328 00:16:29,720 --> 00:16:33,980 Gregor's enthusiasm fades as he sees Victor dancing. 329 00:16:35,080 --> 00:16:37,480 Victor salutes. 330 00:16:40,100 --> 00:16:46,200 He drags Victor away from Topaz. 331 00:16:47,440 --> 00:16:50,660 Gregor follows the agents, with armed men in suits behind him. 332 00:16:51,080 --> 00:16:53,680 As they cross the dance floor, Bill bumps into them. 333 00:16:55,560 --> 00:16:59,960 He lets Gregor through, then elbows his security in the mouth. 334 00:17:04,220 --> 00:17:10,540 A CIA squad awaits Gregor. 335 00:17:21,800 --> 00:17:25,300 Colin jumps in from behind and puts a black bag over his head. 336 00:17:26,680 --> 00:17:28,359 Colin disarms Gregor's men. 337 00:17:29,660 --> 00:17:33,080 He leaves Gregor's security with their hands against the wall. 338 00:17:33,300 --> 00:17:36,260 They shove Gregor into a van, then peel away. 339 00:17:37,320 --> 00:17:39,000 Gregor's security turns back. 340 00:17:39,240 --> 00:17:41,240 The CIA squad has disappeared. 341 00:17:44,970 --> 00:17:48,430 The hood is pulled off Gregor's head. He's bound to a chair in a bar. 342 00:17:48,630 --> 00:17:49,910 Gregor, what's the operation? 343 00:17:50,950 --> 00:17:52,710 I don't know what you're talking about. 344 00:17:52,990 --> 00:17:53,990 Oh, I think you do, Gregor. 345 00:17:54,850 --> 00:17:58,510 The SVRs opt to obtain a list of our Moscow assets and then kill them. 346 00:18:00,110 --> 00:18:01,730 You tell us the plan, we'll let you live. 347 00:18:02,050 --> 00:18:04,370 Gregor locks eyes with Colin, then swallows. 348 00:18:04,890 --> 00:18:05,890 Colin approaches. 349 00:18:06,230 --> 00:18:08,450 He tightens the straps on Gregor's chair. 350 00:18:08,670 --> 00:18:09,670 Okay. 351 00:18:10,050 --> 00:18:11,050 Get up. 352 00:18:12,550 --> 00:18:13,550 You're up. 353 00:18:18,219 --> 00:18:20,100 Maybe a drink will remind you. 354 00:18:21,440 --> 00:18:22,840 I made it special for you. 355 00:18:25,440 --> 00:18:30,760 Come on, come on. Drink, drink, drink. Come on. 356 00:18:34,420 --> 00:18:35,580 Don't worry, Gregor. 357 00:18:35,820 --> 00:18:37,180 I can't poison you yet. 358 00:18:39,560 --> 00:18:41,840 That would be good payback for what you did to me. 359 00:18:44,360 --> 00:18:45,360 And chuckles. 360 00:18:46,060 --> 00:18:47,060 Victor seethes. 361 00:18:48,100 --> 00:18:49,100 What? 362 00:18:49,980 --> 00:18:50,980 It wasn't him. 363 00:18:53,040 --> 00:18:54,060 Of course it was. 364 00:18:55,400 --> 00:18:59,600 This rat of a man is loyal to no one. He's got no morals, no code. 365 00:18:59,820 --> 00:19:01,980 You would betray your own mother for two cop ex. 366 00:19:03,140 --> 00:19:04,140 You done? 367 00:19:05,580 --> 00:19:06,580 You're the traitor. 368 00:19:07,520 --> 00:19:08,900 You work for the CIA. 369 00:19:09,360 --> 00:19:11,000 Victor crouches in front of Gregor. 370 00:19:11,280 --> 00:19:12,500 He looks back to Colin. 371 00:19:12,910 --> 00:19:13,910 then slowly stands. 372 00:19:22,990 --> 00:19:29,850 Victor's brow 373 00:19:29,850 --> 00:19:31,930 twitches. He shakes his head. 374 00:19:32,370 --> 00:19:35,010 You were lying, scumbag. It was his operation. 375 00:19:35,350 --> 00:19:38,510 It was him who came up with the whole thing. You're just a stepping stone in 376 00:19:38,510 --> 00:19:39,309 his career. 377 00:19:39,310 --> 00:19:40,530 Victor grabs his throat. 378 00:19:40,810 --> 00:19:41,810 Shut up. 379 00:19:42,540 --> 00:19:43,540 You bastard. 380 00:19:45,360 --> 00:19:48,560 The agents pry Victor's hand off Gregor's throat. 381 00:19:52,240 --> 00:19:55,200 Victor clutches his stomach and takes ragged breaths. 382 00:19:57,340 --> 00:20:02,160 Protégé. He called you a clown. 383 00:20:04,700 --> 00:20:06,040 I recruited him. 384 00:20:07,080 --> 00:20:08,660 We relied on each other. 385 00:20:09,160 --> 00:20:10,720 We trusted each other. 386 00:20:11,100 --> 00:20:12,640 He turns away, crestfallen. 387 00:20:13,180 --> 00:20:14,760 Colin crouches in front of Victor. 388 00:20:15,000 --> 00:20:16,360 Okay, Victor. 389 00:20:17,580 --> 00:20:19,520 I feel for you. 390 00:20:19,740 --> 00:20:23,140 I really do. I know what it's like to be betrayed more than you will ever know, 391 00:20:23,240 --> 00:20:24,240 okay? 392 00:20:24,620 --> 00:20:28,340 But if we don't get Gregor to talk right now, then a lot of innocent people are 393 00:20:28,340 --> 00:20:29,340 going to die. 394 00:20:30,080 --> 00:20:31,080 So come on. 395 00:20:32,280 --> 00:20:33,780 SVR collects compromise on everyone. 396 00:20:34,700 --> 00:20:35,960 Enemies close, friends closer. 397 00:20:37,040 --> 00:20:38,360 You must have something on him. 398 00:20:39,690 --> 00:20:41,170 Victor nods reluctantly. 399 00:20:41,910 --> 00:20:45,970 Later, Gina and Teddy enter the repair shop of a violin maker. 400 00:20:46,290 --> 00:20:48,990 An elderly man in a waistcoat approaches them. 401 00:20:49,470 --> 00:20:50,810 May I help you? 402 00:20:51,050 --> 00:20:55,730 Yes, we're here to pick up a viola for my uncle, Vasily Pushkin. 403 00:20:56,090 --> 00:20:57,090 Oh, yes. 404 00:20:58,310 --> 00:21:02,650 Mr. Pushkin dropped it off for repair over a year ago. 405 00:21:03,670 --> 00:21:04,810 Paid in full. 406 00:21:05,410 --> 00:21:08,010 I was beginning to think it was forgotten. 407 00:21:09,990 --> 00:21:12,130 It's a gorgeous piece. 408 00:21:13,290 --> 00:21:15,250 Rich and balanced. 409 00:21:16,650 --> 00:21:18,510 Mario Gatto. 410 00:21:19,690 --> 00:21:22,050 Great. Do you have the claim ticket? 411 00:21:23,490 --> 00:21:24,490 You know what? 412 00:21:24,650 --> 00:21:26,810 I misplaced it, actually. 413 00:21:27,250 --> 00:21:32,110 I'm sorry. I can't release the instrument without a strict policy. 414 00:21:32,790 --> 00:21:36,850 Let me call my uncle, and we'll get this sorted out. 415 00:21:38,500 --> 00:21:44,280 Look, sir, normally I would not be this direct, but we have a bunch of bad 416 00:21:44,280 --> 00:21:48,040 people looking to do some bad stuff, and many lives are at risk. 417 00:21:48,440 --> 00:21:50,660 Whatever's in this case is going to help us stop them. 418 00:21:51,220 --> 00:21:53,420 So we need to take this now. 419 00:21:53,780 --> 00:21:57,680 It's been paid in full, and we'll make sure to give Mr. Pushkin your best. 420 00:21:58,020 --> 00:21:58,879 Sound good? 421 00:21:58,880 --> 00:22:01,620 They take the case and wave goodbye to the terrified man. 422 00:22:01,940 --> 00:22:02,940 Thanks. Sorry. 423 00:22:03,540 --> 00:22:06,460 Back at the bar, Victor withdraws the viola from the case. 424 00:22:07,040 --> 00:22:08,780 You think he's going to lull them into talking? 425 00:22:09,000 --> 00:22:10,700 Well, everyone has their process, Bill. 426 00:22:11,900 --> 00:22:13,720 Well, let's just hope it's not a sonata. 427 00:22:15,100 --> 00:22:16,100 Exquisite sound. 428 00:22:16,320 --> 00:22:17,740 He puts the viola aside. 429 00:22:19,060 --> 00:22:21,100 I was always partial to the cello. 430 00:22:21,500 --> 00:22:24,520 He swallows and looks to Gregor with a wistful smile. 431 00:22:26,160 --> 00:22:28,140 Gregor meets his gaze and nods. 432 00:22:28,380 --> 00:22:31,980 Victor opens a compartment in the case, withdrawing a manila envelope. 433 00:22:32,540 --> 00:22:35,180 He stands with difficulty and staggers back. 434 00:22:36,090 --> 00:22:38,710 He grunts, then moves, unsteady on his feet. 435 00:22:39,110 --> 00:22:40,170 I never understood. 436 00:22:40,470 --> 00:22:42,170 He withdraws a document from the envelope. 437 00:22:43,150 --> 00:22:45,070 How are you able to afford that wedding? 438 00:22:46,010 --> 00:22:50,170 It was your... He looms over Gregor. Your third wife. 439 00:22:50,410 --> 00:22:51,410 Your fourth. 440 00:22:51,510 --> 00:22:54,450 He grabs a metal chair and turns it to face Gregor. 441 00:22:54,650 --> 00:22:56,650 Victor turns the document to Gregor. 442 00:22:58,010 --> 00:22:59,110 Let's see if I found this. 443 00:22:59,650 --> 00:23:01,510 Gregor reads the document grimly. 444 00:23:01,850 --> 00:23:05,370 Victor drops it in his lap, then takes a seat opposite him. 445 00:23:08,560 --> 00:23:12,200 Seems the SVR made a sizable contribution to the festivities. 446 00:23:14,160 --> 00:23:15,700 Whether they knew about it or not, 447 00:23:16,560 --> 00:23:19,820 many things have changed in my time with the SVR. 448 00:23:22,000 --> 00:23:25,300 But its feelings and embezzlement have most certainly not. 449 00:23:27,080 --> 00:23:31,640 Gringo, you know how your people operate, yeah? 450 00:23:32,560 --> 00:23:36,060 So I suggest the only way that you live and the only way that your family lives 451 00:23:36,060 --> 00:23:38,120 is if you talk to us. 452 00:23:39,520 --> 00:23:43,880 I don't particularly care about what you stole, but I care very, very much about 453 00:23:43,880 --> 00:23:45,080 our people on the ground in Moscow. 454 00:23:46,340 --> 00:23:50,820 We can protect you, your parents, your daughter. 455 00:23:52,060 --> 00:23:53,180 We can keep them safe. 456 00:23:54,700 --> 00:23:55,900 You just talk to us. 457 00:23:56,240 --> 00:23:59,440 Gregor clenches his eyes shut, and a tear rolls down his cheek. 458 00:24:00,300 --> 00:24:02,200 He opens his eyes and looks at Victor. 459 00:24:03,180 --> 00:24:04,560 Victor arches an eyebrow. 460 00:24:05,860 --> 00:24:07,920 Gregor sighs, then speaks. 461 00:24:08,300 --> 00:24:09,300 There's a woman. 462 00:24:10,580 --> 00:24:14,600 According to Gregor, SVR has been tracking Sarah Reed, privately 463 00:24:14,600 --> 00:24:16,160 contracted communications officer. 464 00:24:16,420 --> 00:24:19,360 She's not CIA, but she has the names of our assets in Russia. 465 00:24:19,580 --> 00:24:22,500 She's currently on a train from Baltimore to New York and arrives at 466 00:24:22,500 --> 00:24:25,340 Fulton Station in just under two hours. 467 00:24:25,620 --> 00:24:29,420 SVR's plan is to kidnap her amidst the travel chaos. And then... do whatever 468 00:24:29,420 --> 00:24:32,820 they can to get the names out of her. If they succeed, she dies, along with 469 00:24:32,820 --> 00:24:33,860 dozens of American assets. 470 00:24:35,000 --> 00:24:37,620 Carl and Bill, you have to get her off the train, keep her out of harm's way. 471 00:24:38,120 --> 00:24:39,059 And then what? 472 00:24:39,060 --> 00:24:40,980 You just leave her locked in a safe house forever? 473 00:24:41,180 --> 00:24:42,500 Until threat levels go down. 474 00:24:43,400 --> 00:24:47,140 You know, she's right. This new regime is hell-bent on taking out our assets, 475 00:24:47,180 --> 00:24:49,920 so they'll just find someone new to swoop up. 476 00:24:50,200 --> 00:24:51,200 Then what would you do? 477 00:24:52,360 --> 00:24:53,980 You've got a problem. You have to find a solution. 478 00:24:54,760 --> 00:24:56,760 Teddy, how tall are you? 479 00:24:59,790 --> 00:25:01,650 He looks at Sarah's profile. 480 00:25:05,310 --> 00:25:05,750 At 481 00:25:05,750 --> 00:25:13,690 this 482 00:25:13,690 --> 00:25:16,370 stage, Bill, I think we have to ask ourselves, is this a risk we're willing 483 00:25:16,370 --> 00:25:17,370 to take? 484 00:25:18,110 --> 00:25:20,090 You understand the risks? 485 00:25:21,030 --> 00:25:22,730 Absolutely. I'm down. 486 00:25:23,670 --> 00:25:25,310 Reed's train gets in in two hours. 487 00:25:25,820 --> 00:25:28,060 Victor, he knows the players. We'll be able to ID him. 488 00:25:28,360 --> 00:25:29,380 Colin and Bill leave. 489 00:25:31,200 --> 00:25:32,200 Let's get you ready. 490 00:25:32,520 --> 00:25:33,900 Teddy nods and leaves. 491 00:25:35,060 --> 00:25:37,180 Colin and Bill enter a closed bar. 492 00:25:37,420 --> 00:25:39,600 An interior door is guarded by two men. 493 00:25:39,980 --> 00:25:40,979 Hi, fellas. 494 00:25:40,980 --> 00:25:41,980 All good? 495 00:25:42,320 --> 00:25:43,780 The men wave them in. 496 00:25:44,580 --> 00:25:46,500 Thanks. They enter Victor's bar. 497 00:25:47,600 --> 00:25:49,500 Victor? They return to Victor's bar. 498 00:25:49,860 --> 00:25:50,880 Grigga is missing. 499 00:25:51,200 --> 00:25:52,200 Victor? 500 00:25:57,070 --> 00:25:58,070 Victor! 501 00:26:03,330 --> 00:26:08,570 You've got to be kidding me. Colin! 502 00:26:20,189 --> 00:26:22,290 Bill glares at Colin, then runs off. 503 00:26:26,690 --> 00:26:27,690 How did he escape? 504 00:26:28,410 --> 00:26:31,050 Looked like he climbed out an old coal chute under the street. 505 00:26:31,850 --> 00:26:35,950 You think Victor had a change of heart? No, he wants revenge on this Pasha 506 00:26:35,950 --> 00:26:37,110 character, his protégé. 507 00:26:37,570 --> 00:26:39,790 Probably figured he wasn't going to get it without chaperoning. 508 00:26:39,990 --> 00:26:41,490 Well, let's not forget we still need him. 509 00:26:41,790 --> 00:26:44,890 Especially with Teddy's safety at risk. Oh, guy's got something. 510 00:26:45,130 --> 00:26:47,950 Looks like Victor was caught on facial rag wandering through traffic in 511 00:26:47,950 --> 00:26:50,110 Columbus Circle. Looks like he's headed north toward Lincoln Center. 512 00:26:50,450 --> 00:26:52,530 What does he want in Lincoln Center? Let's go ask. 513 00:26:52,870 --> 00:26:54,310 The agents drive off. 514 00:26:56,370 --> 00:26:57,370 Later, 515 00:26:57,730 --> 00:27:00,010 they jog across a walkway to the Lincoln Center. 516 00:27:00,850 --> 00:27:03,270 An open patio is filled with metal tables. 517 00:27:03,870 --> 00:27:05,570 Bill and Colin sweep the area. 518 00:27:06,170 --> 00:27:08,630 Colin sees Victor doubled over at a table. 519 00:27:09,050 --> 00:27:10,350 Victor's eyes are sunken. 520 00:27:10,760 --> 00:27:11,760 He checks his watch. 521 00:27:12,820 --> 00:27:13,820 Bill! 522 00:27:14,260 --> 00:27:16,180 Bill! The men converge on Victor. 523 00:27:17,000 --> 00:27:19,000 Hey, hey, hey, hey, hey. Easy, sit down, sit down. 524 00:27:19,900 --> 00:27:21,020 What are you doing? Why'd you run? 525 00:27:21,860 --> 00:27:22,860 I'm sorry. 526 00:27:23,280 --> 00:27:24,400 I had to see her. 527 00:27:24,640 --> 00:27:25,640 See who? 528 00:27:26,980 --> 00:27:31,220 Her name is Lyudmila Shushkin. 529 00:27:32,800 --> 00:27:35,480 She was a cellist. It was a Mariinsky Orchestra. 530 00:27:36,500 --> 00:27:37,500 Russia's finest. 531 00:27:39,560 --> 00:27:44,180 I spent three months eavesdropping on her, hoping to learn the names of other 532 00:27:44,180 --> 00:27:45,360 possible defectors. 533 00:27:46,560 --> 00:27:48,060 I never got any names. 534 00:27:49,420 --> 00:27:51,200 Just the sound of a cello. 535 00:27:54,300 --> 00:27:58,860 I fell in love with the music first. 536 00:28:00,960 --> 00:28:02,220 But I knew the rules. 537 00:28:04,280 --> 00:28:08,600 If I stay with Mila, I'll be putting her life in danger. 538 00:28:09,800 --> 00:28:10,880 So you ended things? 539 00:28:11,200 --> 00:28:13,080 Victor nods and his breath catches. 540 00:28:15,320 --> 00:28:16,680 She performs here tonight. 541 00:28:18,520 --> 00:28:20,920 But I have only hours. 542 00:28:22,700 --> 00:28:26,660 I thought maybe I could just listen to her rehearse. 543 00:28:28,380 --> 00:28:32,460 Please. Victor, it's a lovely story. It's very romantic, but no. 544 00:28:33,220 --> 00:28:36,400 We have to go. We need your help. We've got one more rock to do. Come on. 545 00:28:37,370 --> 00:28:40,550 Come on. You chose this life, you have to live with the consequences, yeah? 546 00:28:41,390 --> 00:28:42,950 And it seems die with them. 547 00:28:43,170 --> 00:28:45,870 He gives Colin a wry look as Colin drags him away. 548 00:28:46,490 --> 00:28:48,470 This is just like Marrakesh in 07. 549 00:28:48,710 --> 00:28:50,570 Later, they're at Fulton Station Security. 550 00:28:50,950 --> 00:28:51,950 How's you? 551 00:28:53,170 --> 00:28:54,170 Of course. 552 00:28:55,130 --> 00:28:57,510 Yeah, let's hope we have the same luck with your SVR comrades. 553 00:28:58,450 --> 00:28:59,450 Pasha's smart. 554 00:28:59,470 --> 00:29:00,470 Very smart. 555 00:29:01,730 --> 00:29:04,230 He'll be on high alert after the incident at the club. 556 00:29:05,950 --> 00:29:06,950 Bill, come in. 557 00:29:07,200 --> 00:29:08,200 Go ahead. 558 00:29:08,600 --> 00:29:10,420 Sarah Reed's train just arriving. 559 00:29:11,400 --> 00:29:12,840 Shocking. Right on time. 560 00:29:13,460 --> 00:29:15,300 Bill sits on a bench in the station. 561 00:29:16,180 --> 00:29:18,580 Sarah Reed arrives, pulling her travel bag. 562 00:29:18,960 --> 00:29:22,280 She wears a long-sleeved blouse and a floral patterned scarf. 563 00:29:22,680 --> 00:29:24,440 She arrives at a concession stand. 564 00:29:24,720 --> 00:29:28,200 Hi, can I get a water? Bill approaches her and pulls out his card. 565 00:29:28,860 --> 00:29:30,120 Oh, no, no, Sarah, it's not me. 566 00:29:30,360 --> 00:29:33,880 What? I owe you. He shows her his ID as he pays. 567 00:29:34,120 --> 00:29:34,899 Take a change. 568 00:29:34,900 --> 00:29:36,560 Act natural. Your life's in danger. 569 00:29:37,300 --> 00:29:39,440 There's an agent waiting for you in the bathroom. Go now. 570 00:29:39,920 --> 00:29:43,040 Sarah stiffens, staring at the ground as Bill departs. 571 00:29:43,260 --> 00:29:47,000 She leaves the stand with her bottle of water and walks off towards the 572 00:29:47,000 --> 00:29:48,000 bathrooms. 573 00:29:48,220 --> 00:29:50,700 Gina sits on a nearby bench, sipping coffee. 574 00:29:51,600 --> 00:29:52,880 Teddy, she's headed your way. 575 00:29:53,580 --> 00:29:56,340 A woman passes Sarah on her way into the bathroom. 576 00:29:56,800 --> 00:29:58,740 Teddy turns to Sarah from the vanity. 577 00:29:59,740 --> 00:30:04,140 Hey. What's going on? I'm Agent Marsh. I know. This is a lot. I'm going to need 578 00:30:04,140 --> 00:30:05,940 your coat and your scarf. 579 00:30:06,780 --> 00:30:08,440 Are you meant to be me? 580 00:30:09,120 --> 00:30:10,520 Listen, we need to move. 581 00:30:11,140 --> 00:30:14,560 Now. Sarah hands Teddy her scarf in a camel-colored coat. 582 00:30:15,260 --> 00:30:18,480 You stay here. I'll have an agent escort you out. 583 00:30:18,740 --> 00:30:20,320 Teddy puts on Sarah's clothing. 584 00:30:21,380 --> 00:30:23,060 Hey, listen. It's going to be okay. 585 00:30:23,300 --> 00:30:25,320 She leaves the bathroom dressed as Sarah. 586 00:30:27,020 --> 00:30:30,920 All right, Teddy's on the move. Can we confirm Sarah Reed is safe and secure? 587 00:30:31,820 --> 00:30:32,779 She's secure. 588 00:30:32,780 --> 00:30:34,800 Victor and Colin watch from station security. 589 00:30:36,240 --> 00:30:37,740 How are they going to do this, do you think? 590 00:30:39,280 --> 00:30:40,960 We'll create some kind of a distraction. 591 00:30:42,900 --> 00:30:44,180 Fire alarm, for example. 592 00:30:45,320 --> 00:30:49,700 As I'm in law enforcement or surveillance is distracted, Pasha will 593 00:30:49,700 --> 00:30:50,700 make his move. 594 00:30:50,840 --> 00:30:52,500 And you taught him everything he knows, did you? 595 00:30:52,760 --> 00:30:54,600 He chuckles and shakes his head. 596 00:30:55,500 --> 00:30:56,920 Teddy's entering the main hall now. 597 00:30:58,620 --> 00:31:00,720 Stay alert, everybody. They may run a distraction. 598 00:31:01,460 --> 00:31:03,180 Gina watches from over a magazine. 599 00:31:04,010 --> 00:31:07,010 Bill strolls the main hall, pretending to be on the phone. 600 00:31:07,590 --> 00:31:08,910 Victor watches the footage. 601 00:31:11,470 --> 00:31:12,469 There he is. 602 00:31:12,470 --> 00:31:13,389 That's Pasha. 603 00:31:13,390 --> 00:31:15,610 Zoom in on this screen. 604 00:31:15,870 --> 00:31:21,450 We have a positive ID on Pasha. Green baseball cap, blue jacket. 605 00:31:23,970 --> 00:31:26,730 Got him. 606 00:31:27,430 --> 00:31:28,710 All right, this is it. 607 00:31:38,040 --> 00:31:38,739 What's that? 608 00:31:38,740 --> 00:31:39,760 This is the distraction. 609 00:31:40,040 --> 00:31:43,240 Keep eyes on Teddy and Pasha. Repeat, keep eyes on Teddy and Pasha. 610 00:31:43,560 --> 00:31:44,560 Copy. Got it. 611 00:31:48,360 --> 00:31:52,680 What was 612 00:31:52,680 --> 00:31:58,660 that? Secondary distraction. 613 00:32:05,800 --> 00:32:07,360 Bill and Gina fan out. 614 00:32:08,960 --> 00:32:10,720 Lost visual on Teddy. Anyone have eyes? 615 00:32:12,640 --> 00:32:13,880 We don't have eyes on Teddy. 616 00:32:14,780 --> 00:32:16,260 Does anyone have eyes on Teddy? 617 00:32:16,620 --> 00:32:17,620 Negative. 618 00:32:18,280 --> 00:32:19,620 I don't have Pasha either. 619 00:32:20,100 --> 00:32:21,100 Oh, God. 620 00:32:21,220 --> 00:32:22,220 Oh, come on. 621 00:32:22,440 --> 00:32:25,980 Colin looks at a monitor filming a stairwell. He sees Pasha and an 622 00:32:25,980 --> 00:32:27,340 entourage leading Teddy away. 623 00:32:28,500 --> 00:32:32,140 Bill. Bill, south stairwell. She's with Pasha and two others. 624 00:32:32,480 --> 00:32:33,520 Go, go, go, go, go. 625 00:32:34,040 --> 00:32:35,380 Gina, take the north side. Yeah. 626 00:32:36,260 --> 00:32:37,179 Let's go. 627 00:32:37,180 --> 00:32:38,840 Colin and Victor rush from security. 628 00:32:39,260 --> 00:32:42,300 A man holds Teddy at gunpoint and pushes her out to the street. 629 00:32:42,700 --> 00:32:46,480 Pasha checks that the coast is clear before directing the two men to a white 630 00:32:46,480 --> 00:32:49,960 van. They throw Teddy inside and hold a gun in her face. 631 00:32:50,260 --> 00:32:52,900 Okay, you and I are going to have a little chat. 632 00:32:57,080 --> 00:32:58,080 FBI, watch out. 633 00:32:58,460 --> 00:33:00,060 Bill rushes out to the street. 634 00:33:01,160 --> 00:33:02,160 FBI, coming through. 635 00:33:02,540 --> 00:33:04,920 He pushes through the crowds and sprints down the street. 636 00:33:05,140 --> 00:33:10,140 He glances back at the road behind him. 637 00:33:11,200 --> 00:33:13,880 A black BMW pulls to a stop nearby. 638 00:33:15,280 --> 00:33:18,440 Colin rushes towards it and hurriedly jumps into the back seat. 639 00:33:20,180 --> 00:33:23,400 They speed off in pursuit of the van. 640 00:33:23,680 --> 00:33:25,860 In the van, Teddy is frisked. 641 00:33:27,000 --> 00:33:29,380 One of the men finds a pistol. 642 00:33:31,950 --> 00:33:34,570 Pasha looks at the gun, then locks eyes with Teddy. 643 00:33:35,250 --> 00:33:38,070 Pasha grabs his phone and opens a photo of Sarah. 644 00:33:38,790 --> 00:33:40,710 He compares Teddy to the photo. 645 00:33:42,930 --> 00:33:43,930 It's not her. 646 00:33:44,310 --> 00:33:47,150 That's what I've been trying to tell you. I don't know what you're looking 647 00:33:47,150 --> 00:33:50,170 for. Pasha empties her magazine and stows her gun away. 648 00:33:50,390 --> 00:33:51,009 Who are you? 649 00:33:51,010 --> 00:33:53,810 I'm MTA. Police. I don't know what's going on. 650 00:33:54,970 --> 00:33:55,970 So what now? 651 00:33:56,290 --> 00:33:58,770 Pasha looks to the driver, then lowers his gaze. 652 00:33:59,810 --> 00:34:01,030 Head across the river. 653 00:34:01,270 --> 00:34:02,590 Let's get rid of her body. 654 00:34:03,230 --> 00:34:04,910 The agents pursue in their car. 655 00:34:05,270 --> 00:34:06,690 Victor's eyes are red and puffy. 656 00:34:07,250 --> 00:34:08,489 I'm glad you're enjoying yourself. 657 00:34:09,230 --> 00:34:10,230 You bet. 658 00:34:10,889 --> 00:34:13,570 There they are. They accelerate towards the van. 659 00:34:13,989 --> 00:34:14,989 What are you thinking? 660 00:34:15,510 --> 00:34:16,949 Hold on, I'm going up his backside. 661 00:34:17,350 --> 00:34:19,050 He rams the van from behind. 662 00:34:19,670 --> 00:34:21,350 The van swerves on the road. 663 00:34:21,610 --> 00:34:23,810 The two vehicles drive beneath a bridge. 664 00:34:24,250 --> 00:34:26,370 Pasha looks at the car in the rearview mirror. 665 00:34:27,400 --> 00:34:28,580 He talks to the driver. 666 00:34:28,840 --> 00:34:29,840 Get rid of them. 667 00:34:30,040 --> 00:34:31,040 Come on. 668 00:34:31,199 --> 00:34:33,780 The vehicle swerves and Teddy is thrown to the side. 669 00:34:34,120 --> 00:34:36,639 She wrestles one of the men, elbowing him in the face. 670 00:34:37,080 --> 00:34:40,520 She knocks her in the stomach. The other man tackles her against the door. 671 00:34:41,780 --> 00:34:45,840 Keep right. On the right, I said. 672 00:34:46,440 --> 00:34:48,540 The driver swerves towards the agent's car. 673 00:34:48,800 --> 00:34:50,400 They veer into an oncoming lane. 674 00:34:50,800 --> 00:34:54,000 In the back of the van, Teddy stands and tackles her assailant. 675 00:34:54,350 --> 00:34:55,550 Come on, let's go. 676 00:34:56,050 --> 00:34:57,050 Quickly, quickly. 677 00:34:57,370 --> 00:35:01,030 Colin swerves back and forth through oncoming traffic. What are you doing? 678 00:35:01,250 --> 00:35:02,830 They drive parallel to the van. 679 00:35:03,090 --> 00:35:06,990 In the van, Teddy clubs the man in the face. As Pasha turns from the front 680 00:35:06,990 --> 00:35:08,450 seat, she elbows him in the jaw. 681 00:35:09,070 --> 00:35:11,190 She chokes the driver with her zip-tied hands. 682 00:35:11,750 --> 00:35:12,770 Don't let him make this turn. 683 00:35:13,130 --> 00:35:14,970 Cut him off. Yeah, I'm going to, Bill. 684 00:35:15,970 --> 00:35:19,570 He's not stopping. The van drives through a chain-link gate towards a 685 00:35:19,570 --> 00:35:20,870 gravel-covered construction lot. 686 00:35:21,250 --> 00:35:23,050 Teddy continues to choke the driver. 687 00:35:23,950 --> 00:35:27,290 She falls back, and the van drives directly into a large mound of gravel, 688 00:35:27,430 --> 00:35:28,650 slowing it to a stop. 689 00:35:28,990 --> 00:35:30,690 The agents pull up behind them. 690 00:35:32,130 --> 00:35:33,370 Pasha, let me see your hands! 691 00:35:34,370 --> 00:35:35,370 Drop the weapon! 692 00:35:35,510 --> 00:35:37,150 Pasha drops to his knees on the gravel. 693 00:35:37,510 --> 00:35:39,630 Teddy steps out of the van, holding a pistol. 694 00:35:42,570 --> 00:35:46,130 Pasha raises his hands. 695 00:35:46,830 --> 00:35:49,090 Colin and Teddy subdue the men in the van. 696 00:35:50,470 --> 00:35:52,370 Bill cuffs Pasha from behind. 697 00:35:54,030 --> 00:35:54,868 You good? 698 00:35:54,870 --> 00:35:55,870 Yeah. 699 00:35:56,890 --> 00:35:58,070 Here, let's cut these. 700 00:35:58,310 --> 00:36:00,250 A haggard Victor steps out of the car. 701 00:36:00,870 --> 00:36:03,690 Bill pushes Pasha onto a pile of gravel. 702 00:36:04,230 --> 00:36:07,150 Victor staggers towards Pasha with a menacing glare. 703 00:36:07,810 --> 00:36:09,310 Bill withdraws his phone. 704 00:36:10,410 --> 00:36:11,510 They're requesting backup. 705 00:36:11,790 --> 00:36:14,310 FBI agent... Victor takes his gun and points it at Pasha. 706 00:36:14,550 --> 00:36:17,290 Victor, don't do it. Victor, Victor. Drop it. 707 00:36:18,470 --> 00:36:19,830 Victor, don't. 708 00:36:21,050 --> 00:36:24,250 I thought I taught you better than this. He seethes with rage. 709 00:36:24,630 --> 00:36:26,230 Pasha looks away dismissively. 710 00:36:26,730 --> 00:36:28,510 You taught me nothing. 711 00:36:29,610 --> 00:36:30,830 Victor nods sadly. 712 00:36:31,510 --> 00:36:32,910 It appears so. 713 00:36:34,450 --> 00:36:37,670 His arm trembles as he holds his gun fixed on Pasha. 714 00:36:39,470 --> 00:36:42,150 Victor lowers his arm and sways on his feet. 715 00:36:43,030 --> 00:36:50,030 He hands Victor's gun to Bill. 716 00:36:50,430 --> 00:36:51,690 and leads Victor back to the car. 717 00:36:52,770 --> 00:36:55,170 Bill retrieves his phone and makes a call. 718 00:36:56,810 --> 00:37:03,630 Back at headquarters, Nikki climbs 719 00:37:03,630 --> 00:37:04,870 the stairs to her office. 720 00:37:05,570 --> 00:37:07,030 The senator waits for her. 721 00:37:08,130 --> 00:37:09,530 Your Russians are on a plane. 722 00:37:10,030 --> 00:37:11,270 Wheels up within the hour. 723 00:37:11,690 --> 00:37:12,690 Courtesy of state. 724 00:37:12,790 --> 00:37:13,729 So I hear. 725 00:37:13,730 --> 00:37:16,010 I had a frank conversation with the ambassador. 726 00:37:16,510 --> 00:37:17,650 The line was crossed. 727 00:37:17,910 --> 00:37:19,090 I made it very clear. 728 00:37:19,500 --> 00:37:21,020 What happens if it's crossed again? 729 00:37:23,580 --> 00:37:24,700 You ran a clean op today. 730 00:37:25,300 --> 00:37:26,300 I'll give you that. 731 00:37:26,380 --> 00:37:27,380 Thank you. 732 00:37:27,960 --> 00:37:30,480 But you didn't take the shuttle all the way up from DC to tell me that. 733 00:37:31,160 --> 00:37:32,160 No, I didn't. 734 00:37:33,780 --> 00:37:36,600 You're heating up your search to fill the empty chief of station job. 735 00:37:36,760 --> 00:37:40,160 Politically speaking, you have to interview a sitting deputy, but I'll 736 00:37:40,160 --> 00:37:41,160 make it easy for you, Stan. 737 00:37:41,680 --> 00:37:42,680 They both said. 738 00:37:43,020 --> 00:37:45,400 When I told DCI I didn't want the job, I meant it. 739 00:37:46,420 --> 00:37:50,000 Endless bureaucratic meetings kissing up to politicians at best. 740 00:37:50,820 --> 00:37:54,060 I really like doing real spy work. 741 00:37:54,920 --> 00:37:56,140 Well, that's good to know. 742 00:37:56,400 --> 00:37:57,840 But that's not why I'm here. 743 00:37:58,200 --> 00:37:59,200 Her smile fades. 744 00:38:00,800 --> 00:38:04,460 How much do you know about Felix Vincent? 745 00:38:05,060 --> 00:38:07,440 Nikki quirks her head and chuckles. 746 00:38:08,740 --> 00:38:10,300 Colin holds Victor upright. 747 00:38:11,200 --> 00:38:13,160 They enter the Lincoln Center. 748 00:38:13,560 --> 00:38:14,600 There she is. 749 00:38:15,070 --> 00:38:19,370 A brunette woman in a blue floor-linked gown takes the stage carrying a cello. 750 00:38:21,570 --> 00:38:27,290 Colin eases Victor into a seat. 751 00:38:27,770 --> 00:38:30,490 Victor's face is pallid. His eyes are sunken. 752 00:38:30,990 --> 00:38:32,330 The cellist begins. 753 00:38:36,390 --> 00:38:37,390 No. 754 00:38:49,860 --> 00:38:53,940 He watches wistfully as she presses her bow to the strings. 755 00:39:04,060 --> 00:39:06,920 Victor watches blissfully with a glassy gaze. 756 00:39:19,280 --> 00:39:20,740 Colin leans in to Victor. 757 00:39:21,580 --> 00:39:23,580 Do you ever regret the decision you made? 758 00:39:25,120 --> 00:39:26,200 About this life? 759 00:39:29,440 --> 00:39:31,560 Victor. Victor is unmoving. 760 00:39:31,840 --> 00:39:33,680 His eyes are fixed on the stage. 761 00:39:40,880 --> 00:39:44,920 Tears well in Colin's eyes, and he turns back to the performance. 762 00:39:45,920 --> 00:39:48,640 Victor continues to watch, heavy-lidded. 763 00:39:50,220 --> 00:39:51,520 Bill is at the office. 764 00:39:52,320 --> 00:39:54,820 He checks his watch and fills out paperwork. 765 00:39:56,420 --> 00:39:58,620 He reads a document from an open folder. 766 00:39:59,380 --> 00:40:01,160 It's a list of Victor's transactions. 767 00:40:03,240 --> 00:40:06,540 Bill looks away with a heavy sigh and shuts the folder. 768 00:40:07,600 --> 00:40:09,720 Colin is in his investigation room. 769 00:40:10,820 --> 00:40:12,780 His face pours over the murder board. 770 00:40:13,560 --> 00:40:15,720 Colin puts a trash can on his desk. 771 00:40:16,640 --> 00:40:19,220 Later, he removes items from the murder board. 772 00:40:19,600 --> 00:40:21,960 tossing them into a burning trash can behind him. 773 00:40:24,260 --> 00:40:28,680 Colin's eyes are dewy as he picks out the pushpins, tossing the documents into 774 00:40:28,680 --> 00:40:29,680 the trash. 775 00:40:30,260 --> 00:40:31,260 Time passes. 776 00:40:31,480 --> 00:40:34,500 The flames rise higher as the murder board empties. 777 00:40:35,720 --> 00:40:39,940 Colin grabs a cluster of photos in his hand and tosses them into the flames one 778 00:40:39,940 --> 00:40:40,940 by one. 779 00:40:41,080 --> 00:40:43,140 A lone photo remains on the board. 780 00:40:44,560 --> 00:40:45,980 It's a photo of Tony. 781 00:40:47,600 --> 00:40:51,640 He removes the pin from the photo, then holds it over the flaming can. 782 00:40:53,620 --> 00:40:59,600 He stares deeply at the photo of Tony, then swallows and crosses the room to a 783 00:40:59,600 --> 00:41:00,600 nearby shelf. 784 00:41:01,620 --> 00:41:05,100 Colin takes a locked case from the shelf and puts it on the desk. 785 00:41:05,700 --> 00:41:11,040 He opens it and puts the photo of Tony inside, atop a passport and next to a 786 00:41:11,040 --> 00:41:12,040 stack of money. 787 00:41:13,820 --> 00:41:16,120 Colin closes the case and shakes his head. 788 00:41:17,130 --> 00:41:18,890 Bill is on the couch with Katie. 789 00:41:19,950 --> 00:41:21,610 This is really nice. 790 00:41:23,530 --> 00:41:27,170 I got that salmon to make for dinner, but I don't really want to get up. 791 00:41:28,830 --> 00:41:30,250 You want to just order in? 792 00:41:31,050 --> 00:41:32,730 She strokes his head tenderly. 793 00:41:33,090 --> 00:41:34,850 Bill stares back, emotional. 794 00:41:35,350 --> 00:41:36,350 Sweetie. 795 00:41:38,650 --> 00:41:39,650 What's wrong? 796 00:41:39,990 --> 00:41:41,350 Bill's eyes are misty. 797 00:41:43,490 --> 00:41:46,610 The other day I found out my dad worked for the CIA. 798 00:41:47,080 --> 00:41:48,480 Katie recoils with surprise. 799 00:41:49,200 --> 00:41:54,380 What do you mean? That's crazy. 800 00:41:54,980 --> 00:41:56,700 Yeah, it's quite a shock. 801 00:41:56,960 --> 00:41:59,140 She sits up in her chair and leans in. 802 00:42:00,600 --> 00:42:01,760 How did you find out? 803 00:42:02,660 --> 00:42:03,660 How do you know? 804 00:42:03,900 --> 00:42:05,760 Bill takes Katie's hand in his. 805 00:42:07,020 --> 00:42:09,540 Well... He gives her a solemn look. 806 00:42:12,560 --> 00:42:13,680 I guess so do I. 807 00:42:14,360 --> 00:42:15,760 Katie's mouth hangs open. 808 00:42:18,480 --> 00:42:21,100 Executive Producer Dick Wolfe 809 00:42:21,100 --> 00:42:28,080 End Credits 810 00:42:28,080 --> 00:42:29,640 The preceding story was fictional. 811 00:42:29,840 --> 00:42:31,840 No actual person, event or entity was depicted. 812 00:42:32,520 --> 00:42:39,280 Unit Production Manager Paul Kabad First Assistant Director Adam Weisinger Key 813 00:42:39,280 --> 00:42:45,880 Hairstylist Wendy Evans Location Manager Mark Lake Additional Music John Marston 814 00:42:46,920 --> 00:42:51,120 Wolf Entertainment, CBS Studios, Universal Tele...